How To Mix Drum & Bass

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Whether you’re looking to improve mixing Drum and Bass, or starting from scratch completely, this guide will help you structure your set and master tricky transitions.

Drum and Bass is characterised by it’s fast pace, thundering bass-lines and intricate percussion, making it really fun to play and mix.

However, DJing Drum and Bass isn’t easy. To get to grips with mixing it, you’ll first need to gain a working understanding of how Drum and Bass tunes are structured. Then you can move onto how to structure a DNB set, before tackling some drum and bass practice transitions. So, let’s get started.

Drum & Bass Track Structure

To get the best results from your mix, you need to understand how drum and bass tracks are structured.

Drum and bass tracks are usually made up of five key layers:

  • Percussion
  • Bassline
  • Melodies / Stabs and Riffs
  • Pads
  • Vocals / Samples

Layering is the process of arranging these sounds so they work together to create a full sounding mix.

How To Mix Drum and Bass

You need to consider each of the above mentioned layers when you’re attempting to mix DNB, each element can be mixed in, mixed out, chopped around and cut - there’s a huge amount of opportunity to get creative with each transition.

We’ve compiled some beginner Drum and Bass mix techniques which should help to get you feeling more comfortable behind the decks, opening you up to further experimentation and exploration in your DJ sets.


When you think of Drum and Bass, you probably think of intense sounds which lend themselves to fairly rough cut mixes in DJ sets. However, being able to pull off a seamless mix will prevent your sets from becoming jarring.

  1. Select Your Tracks - Track selection is really important when you’re going for a seamless mix, ideally your two tracks will have long percussion intros before the melody or bass come in - it’s very hard to mix two heavy basslines together so avoid having to do that where possible. You also want to avoid clashing vocal samples between the two tunes, there’s nothing seamless about that.
  2. Sync Your Tracks - When it comes to how to beatmatch Drum and Bass, the process isn’t dissimilar to other genres, the BPM is just higher. You can either use the automatic sync function, or you can learn how to beatmatch by ear.
  3. Reduce Your High And Low End - It’s a good idea to reduce the highest and lowest frequencies on the track you’re mixing in, otherwise the audience may become acutely aware that the mixing has started.
  4. Increase The Volume - Slowly bring in your second track, you should just about hear the percussion elements of the track you’re bringing in over the track you’re mixing out of. As you raise the volume, you can also start bringing the high end back in (that you took out in point 3).
  5. Reduce The Volume Of Track 1 - Next, start bringing out the low end of track one, allow the low end of track 2 start to take over. When you’re ready, slide the volume fader of track 2 up to maximum volume while simultaneously reducing the volume and the low frequency of track 1. Next, bring out the high-end of track one as well - track 2 should now be way more dominant in the mix.
  6. Bring Out Track 1 - Keep Track one playing in the background for as long as possible, as you should be getting some really nice textures from the two tracks playing together. Once you’ve had enough, bring it out, and get ready to cue up another track!


Looking back, at how Drum and Bass tunes are structured, we typically see intense bars of bassline mixed with percussion which are followed by breakdowns where all you can hear is melody or vocal samples - mixing over these breakdown moments, by bringing in a new percussion or bassline from a different track can really spice up your DJ set.

When practising mixing over breaks, step 1 and 2 are the same as when you’re attempting a seamless mix - you need to select your music and make sure they’re perfectly synced. Just be warned that beatmatching during the break, with just a layer of percussion playing, is much trickier than when you’ve got more elements to listen to.

When it comes to the actual mix, you want to start and finish this before the breakdown ends - you don’t want to get caught up in the bassline or that will totally destroy the effect you’re going for. A good tip is that you can loop the breakdown if you need more time. It’s important that you know the tracks you’re mixing well, and you know when the breakdown is coming in and coming out, as that’s your window of opportunity.


A cut and switch mix will achieve a choppy effect which you’ll definitely recognise from listening to Drum and Bass DJ sets. This is a distinctively DNB move, it’s one of the few genres in which chopping tracks up is so satisfying.

To attempt a cut and switch mix, your mixer needs to have a crossfader. Or, if you’re learning how to DJ on a laptop, your mixing software needs to have a digital crossfader.

Once again, to achieve this mix, you need to start off with your two tracks perfectly synced and beatmatched.

Once your two tracks are playing together, in the mix, you can perform a cut and switch mix by flicking your crossfader quickly to track 2, and then back to track 1 - Hence the name ‘cut and switch’.

This is a fun Drum and Bass mixing technique to get creative with, you can experiment with catching just a few moments of the second track, or you can flick back and forwards multiple times, to catch certain parts of the track. Cutting and switching is a great way to tease the next track you’re going to play. Rather than introducing the new track gradually, like with a seamless mix, you can use the cut and switch technique to make your mix a bit rougher and varied.

The best time to cut and switch is generally when there’s only percussion audible in track 2. However, cutting during vocals and melodies can also sound either dramatic and fun, or it can sound jarring - play around and see what works for the particular tracks you’ve selected.

How To Structure A Drum And Bass Set

One of the most important aspects of mixing is being able to structure your set in an intelligent way that keeps the audience engaged and excited. It’s easy to get lost in the moment, lose track of time and start playing whatever you want. It’s easy to forget about how you started and how you are going to end. It’s easy to get caught up in the scene and play a bunch of new tunes that are fresh out because it feels like the right thing to do.

The first element you want to consider when structuring a set is the vibe. Just like any other type of music, drum & bass has a wide range of vibes that can be interpreted through different styles and tempos. Vibes include smooth or groovy (liquid), dark or scary (techstep/neurofunk), fun and energetic (jump up), soulful or emotional (intelligent) and many more.

A well-structured DJ set will include all these elements, whether it’s a mellow liquid set full of smooth beats and soulful vocals, or an energetic techstep set full of dark atmospheres and evil basslines.

We’ve compiled some tips to help make your D&B DJ set varied and engaging:

  1. Choose your tracks carefully - In any genre, the art of mixing is to choose two tracks that work well together. In drum & bass this is particularly important because the tempo and energy can vary widely between tracks. As a general rule, you want to choose two tracks that have similar tempos, energy levels and keys.
  2. Learn how to mix at different tempos - In drum & bass there are three main sub-genres: jump up, liquid funk and techstep (the evil cousin of jump up). Each sub-genre has its own characteristics but they all differ in tempo and energy level. Jump up tracks average around 170bpm whereas liquid funk is usually around 168bpm and techstep averages around 174bpm.
  3. Aim for smooth transitions - A good tip in any genre is to aim for smooth transitions between tracks.

Mixing Drum and Bass is one of the most difficult genres to master and learn. As a DJ playing DnB, you have a lot of responsibilities, mainly because the key of DnB is about consistency and maintaining structure. So with that in mind, how can you practice mixing to get better at this genre? If you don’t have access to DJ decks at home, you can book a DJ studio with Pirate and pay by the hour, across the UK, Germany and US. All of Pirate’s studios come equipped with the latest industry-standard decks to help get you club-ready.

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